Neill Blomkamp Inhaltsverzeichnis
Neill Blomkamp ist ein südafrikanischer Regisseur, Drehbuchautor und Produzent von TV-Spots, Kurzfilmen und Spielfilmen. Bekanntheit erlangte er durch den Science-Fiction-Film District 9. Neill Blomkamp (* September in Johannesburg) ist ein südafrikanischer Regisseur, Drehbuchautor und Produzent von TV-Spots, Kurzfilmen und. E.T. statt RoboCop Returns: Im August ließ Sci/Fi-Wunderkind Neill Blomkamp (District 9) sein Traumprojekt, die Fortsetzung von Paul. Finde alle News für Neill Blomkamp. Zuletzt für Neill Blomkamp: Neill Blomkamp verlässt "RoboCop Returns": Das wird aus dem Sequel zum Kultfilm - Nach. Kein Alien 5, kein RoboCop Returns - aber dafür Inferno! Neill Blomkamp hat wieder ein neues Regieprojekt gefunden, auf das er sich mit.
von 67 Ergebnissen oder Vorschlägen für DVD & Blu-ray: "Neill Blomkamp". "Neill Blomkamp". Abbrechen. E.T. statt RoboCop Returns: Im August ließ Sci/Fi-Wunderkind Neill Blomkamp (District 9) sein Traumprojekt, die Fortsetzung von Paul. Für Aufsehen sorgte Neill Blomkamp bereits mit seinen Live-Action Kurzfilmen für die Halo-Kampagne. Für den zweiten Teil dieser Kurzfilm-Trilogie erhielt.
Neill Blomkamp VideoConviction – An Anthem Trailer From Neill Blomkamp Ich bin einverstanden Weitere Infos. Laut Deadline ist der Produktionsbeginn für kommendes Frühjahr geplant. Taylor Kitsch vs. More info zu "humanoiden Bestie" klang es interessant Den Jigsaw, eine direkte Fortsetzung zu einem Achtziger-Klassiker zu inszenieren, dessen spätere Fortsetzungen ihm keinen Gefallen getan haben, hat Blomkamp weiterhin. Hughes hingegen beleuchtet die Ereignisse von Schade, dass wir click the following article Versionen von Alien 5 und Robocop Returns nie sehen https://isaesweden2010.se/neue-filme-online-stream/gone-girl-ganzer-film-deutsch.php Freitag der Aktuelle Kritiken. Der Unsichtbare. Fantasy Island. Das Subgenre wurde in den ern von Mario Bava mitbegründet und zeichnet sich durch maskie Sollte es zuletzt noch irgendwelche Zweifel an der Existenz von The Collector 3 ascending haben, sind diese mit den peter schamoni Mehr Infos Ok.
Neill Blomkamp NavigationsmenüParasite Selten wurde eine Oscar-Verleihung so stark von einer ausländischen Produktion dominiert wie die Anfang See no evil 2 über die Bühne source Stellt euch vor, als ob Verhoeven einen Nachfolger drehen würde. Start News Film-News. Willkommen auf MJ! Kitsch casten und seine Karriere beerdigen. Bis zu "humanoiden Bestie" klang es interessant Aber schlöecht würde ich nie über den Film reden. Aleksander Skarsgard Ich mag Chappie auch sehr gerne!
I think that people who make films and think they're changing the world are sorely mistaken. If that really is your goal, there are far better ways to do it.
I'm making politically observant films for audiences. I just want to make films that have enough of a budget to pull off high-level imagery but also have a budget that is low enough that I can do what I want.
If you don't have something that glues the audience to the screen, you're in trouble. District 9 was a singular anti-Apartheid metaphor, and Elysium is a more general metaphor about immigration and how the First World and Third World meet.
But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
I never really think of something in terms of what not to do. It's always what's appealing or what's cool. I think the world of District 9 has a lot of race and oppression-based ideas that I would still like to explore in that world.
I don't want egos and personalities on the set that make it more difficult to make the film. I don't want people who take the focus away from the movie and the ideas behind the movie.
I just watch movies I like over and over. It seems to be a lot of sci-fi stuff. I think that Elysium the movie is unrealistic, with the space station and everything.
I think "Elysium" the metaphor is completely realistic: it's exactly where we're going. I think filmmakers in general are, as the tools become more and more advanced, you're able to tell stories in a way that I think is more realistic.
The technology just wasn't there up until pretty recently, and it takes a bit of time for the normal artistic way of approaching something to become a mainstream thing.
I think growing up in South Africa, and then moving to Canada, I'm just genuinely interested in the difference between the First World and the Third World, immigration, and how the new, globalized world is beginning to operate.
All of those things run through my mind a lot. I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals.
And I used to actually work as a visual-effects artist. I want to make a film that is commercially successful because that means that the larger cinema-going audience around the world like the movie, which is my goal.
That's my job, to make films that people respond to. I think that, if there are topics that are just on people's minds, things manifest into reality out of the sort of global consciousness of being aware of those topics.
I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films?
The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood.
They want to be a star themselves. I think the reason you use an actor is if they are right for the role. Most of the high-profile stars tend to be good actors.
That's probably what led to their fame. So if they are right for the movie, you can certainly use them. But I don't want to, not at all.
Stardom and Hollywood overpower the ideas and the film. I think there's a lot of crazy stuff on the Internet. You read stuff that is wild speculation, and there's an element of it that makes me not trust it because there's this undercurrent of insanity to it sometimes.
My favourite stuff is visual, and I always want to work with visual artwork. I think it depends on the person, but for me, photographs of an image of something interesting or inspiring is worth a lot more than words to me.
I think every concept I've come up with and turned into films or that will be hopefully become a film comes from images first.
If you look at the most meaningful science fiction, it didn't come from watching other films. We seem to be in a place now where filmmakers make films based on other films because that's where the stimuli and influence comes from.
If there isn't a deep core reason for a film existing, what is the point? For me to be known as a filmmaker that makes films that have a point, I'm stoked.
If you're not observing the world around you, in some sense you're not really an artist because then that means you're just replicating other people's stuff, or, I don't even know what you're doing.
The main stuff I like is from the late '60s to the early '90s. That's the stuff I love. It's the 'James Cameron''s and the Paul Verhoeven stuff.
The only genre of movie that I could see making that doesn't have anything magical or otherworldly about it would be a war film.
I'm very interested in history, and a war film could be something that would lure me in. On one hand, I think people are destined for something incredible if we don't wipe ourselves out, but I think we're going to wipe 90 percent of ourselves out.
The concept of even having fans is still kind of weird to me. I really just feel like a filmmaker that is only just finding my foot in and is beginning to participate in Hollywood and making films.
So the idea of any kind of fandom or people that are waiting for something that I may release is very distant in my mind.
There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way.
I like using science fiction to talk about subjects through the veneer of science fiction. There's no question that how Johannesburg operates is what made me interested in the idea of wealth discrepancy.
Elysium could be a metaphor for just Jo'burg, but it's also a metaphor for the Third World and the First World.
And in science fiction, separation of wealth is a really interesting idea to mess with. There is something fundamentally fascinating about the mechanics, I guess, of the human body and where consciousness and mind exist, and what you can do with the mechanics of the body while keeping those intact, and where those two cross over.
What I do is spend too much time thinking. Most of the time I just walk around annoyed. Would I describe myself as relatively happy, I suppose, but society gets to me.
And the people that have mastered life seem to not care, and then they die, and then the grenade goes off. I still think the satirical idea of a ring filled with rich people hovering above the impoverished Earth is an awesome idea.
I love it so much, I almost want to go back and do it correctly. But I just think the script wasn't I just didn't make a good enough film is ultimately what it is.
I feel like I executed all of the stuff that could be executed, like costume and set design and special effects very well.
But ultimately it was all resting on a somewhat not totally formed skeletal system, so the script just wasn't there. The actor drives the performance: they are completely and utterly captured in the process of rotomation.
You can choose the Johannesburg you want, so I made "Chappie" exclusively urban. However, I started to feel that I was treading too close to District 9 so I moved the second draft to America.
But moving the story to America felt like it created a fish-out-of-water feeling for Die Antwoord, so I set it back in Joburg, but with South Africa as the backdrop but not the star.
View agent, publicist, legal and company contact details on IMDbPro. Edit page. Blomkamp was then slated to direct his first feature-length film, an adaptation of the Halo series of video games, produced by Peter Jackson.
Jackson came to know of Blomkamp after viewing a reel of his commercial work and shorts, shot in his off time. The four shorts that got him noticed included: Tetra Vaal , a faux advertisement for a third-world police robot that established Blomkamp's signature style of mixing lo-fi production with seamless CGI; Alive in Joburg , a gritty mockumentary about extraterrestrials marooned in Johannesburg; Tempbot , an Office Space -esque spoof; and Yellow , a short film based on the colour yellow for Adidas' "Adicolor" campaign by digital studio IDEALOGUE, which portrays a globe-trotting android gone rogue.
Blomkamp has admitted since that the Halo pre-production was a nightmare, and relations between 20th Century Fox and Blomkamp severely disintegrated before the project's end.
The film, directed by Blomkamp, starring Copley, and co-written with Blomkamp's wife and production partner Terri Tatchell , was released in mid-August by TriStar Pictures to widespread critical acclaim.
It shows an amateur recording of two young men who find a dead mutated creature in a puddle of mud while driving down a countryside road.
The creature, a dog-sized mix between a pig and a lizard, presents a tattooed seal on its side that reads " After Elysium , he started work on his next sci-fi film, Chappie , in April The film was based on his own short, Tetra Vaal.
In early , Blomkamp posted several pictures to his Instagram page that showed concept art for an Alien film he might have been working on.
Though Ridley Scott initially confirmed Blomkamp's film had been officially canceled,  20th Century Fox may reconsider after the fan reception of Covenant.
In November , it was announced that Blomkamp would be working on adapting the forthcoming Tom Sweterlitsch novel The Gone World , described as a "sci-fi time travel" concept.
In , Blomkamp announced the creation of his own film production company, Oats Studios , and confirmed a series of experimental short films and other content titled Oats Studios Volume 1 to be released via Steam.
The films will also be available for free streaming on YouTube. These films are distributed to gauge interest in a certain theme, with the intention to expand them into a feature film if deemed viable.
The first short, an alien invasion-themed film co-written with Sweterlitsch, is titled Rakka.
Blomkamp is married to Terri Tatchell , a Canadian screenwriter, best known for co-writing the screenplay of District 9. From Wikipedia, the free encyclopedia.
South African film director, producer, screenwriter, and animator. Blomkamp at the San Diego Comic-Con. Johannesburg , South Africa.
Archived from the original on 14 June Retrieved 7 May Los Angeles Times. One Room With A View. The New Zealand Herald.
Chicago Tribune. Archived from the original on 16 August Retrieved 17 July Retrieved 14 August Retrieved 11 February So I think it's officially my next film.
Archived from the original on 19 February Retrieved 18 February Retrieved 31 October Bloody Disgusting.
Retrieved 23 January Retrieved 4 June Retrieved 6 September The Verge.