Shaft 1971 Statistiken
Der schwarze New Yorker Detektiv John Shaft wehrt sich in seinem Büro gegen zwei Angreifer, wobei einer von beiden aus dem Fenster stürzt. Wenig später stellt sich heraus, dass die Killer ihn lediglich zu dem schwarzen Gangsterboss Bumpy Jonas. Shaft [ʃæft] ist ein Kultfilm des US-amerikanischen Regisseurs Gordon Parks aus dem Jahre Der Blaxploitation-Film mit Richard Roundtree in der. isaesweden2010.se - Kaufen Sie Shaft günstig ein. Qualifizierte Bestellungen Shaft () · 3,98 € · 3,98 € Dieser Artikel:Shaft von Richard Roundtree DVD 26,95 €. Erster großer Kinoerfolg des „Black Cinema“ mit Oscar-gekröntem Soundtrack von Isaac Hayes. Film-Bewertung. Shaft (US ). Redaktion. This Gordon Parks-directed film stars Richard Roundtree, a streetwise black detective hired to find the beautiful kidnapped daughter of powerful Harlem mobster.
Shaft (). USA, KrimiAction. Widerwillig nimmt Privatdetektiv John Shaft den Auftrag an, die entführte Tochter des schwarzen Gangsterbosses Bumpy. Der schwarze New Yorker Detektiv John Shaft wehrt sich in seinem Büro gegen zwei Angreifer, wobei einer von beiden aus dem Fenster stürzt. Wenig später stellt sich heraus, dass die Killer ihn lediglich zu dem schwarzen Gangsterboss Bumpy Jonas. Erster großer Kinoerfolg des „Black Cinema“ mit Oscar-gekröntem Soundtrack von Isaac Hayes. Film-Bewertung. Shaft (US ). Redaktion. Shaft (). USA, KrimiAction. Widerwillig nimmt Privatdetektiv John Shaft den Auftrag an, die entführte Tochter des schwarzen Gangsterbosses Bumpy. Komplette Handlung und Informationen zu Shaft. Der schwarze New Yorker Detektiv John Shaft (Richard Roundtree) wehrt sich in seinem Büro gegen zwei. Shaft ein Film von Gordon Parks mit Richard Roundtree, Moses Gunn. Inhaltsangabe: John Shaft (Richard Roundtree) ist ein Privatdetektiv, der. Perfekte Shaft Film Stock-Fotos und -Bilder sowie aktuelle Editorial-Aufnahmen von Getty Images. Download hochwertiger Bilder, die man nirgendwo.
Shaft 1971 Video"Shaft" (1971) OP Richard Roundtree. Charles Cioffi. This Gordon Parks-directed film stars Richard Roundtree, a streetwise black detective hired to find the beautiful kidnapped daughter of powerful Harlem mobster. Farb-Format Farbe. Vereinigte Here. Aktuelle News zu weiteren Filmen. Urs Furrer.
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A voluptuous black vigilante takes a job as a high-class prostitute in order to get revenge on the mobsters who murdered her boyfriend.
A sexy black nurse takes vigilante justice against inner-city drug dealers after her sister becomes their latest victim.
After saving a Black Panther from some racist cops, a black male prostitute goes on the run from "the man" with the help of the ghetto community and some disillusioned Hells Angels.
Two New York City cops go after amateur crooks who are trying to rip off the Mafia and start a gang war.
Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.
A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute. John Shaft is the ultimate in suave black detectives.
He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter.
Compared to modern action movies there isn't really much action here and it isn't anything spectacular — no huge shootouts , kung fu fights , big explosions , car chases and so on.
There is lot of dialogue and the pacing is rather slow. You know what? Those are the reasons why I really like "Shaft".
Not every movie has to be an over the top spectacle for simple minded audience. For me less is more. I can hardly care for action hero when he's doing impossible stuff like jumping over the missile with a truck.
Here the danger feels real. There is no villain. A simple bad guy with a gun can end your life and you have to be very careful.
Shaft uses his muscles only when necessary. He prefers to outsmart his enemy , because violence can lead you as far. When he's fighting for life , you FEEL that he's fighting for life.
The movie captures the gritty atmosphere of 70's New York City. In this world everybody is walking a thin line between law and law of street.
I also like that Shaft is a detective and the investigation actually plays important part through whole movie. Not to mention that characters here feel like they could exist in real life.
Richard Roundtree is great as the charming bad ass Shaft who is one foot in the world of black people and the other foot in the world of white people.
He easily dominates the whole movie with his tough , confident and wise cracking personality. Women , both black and white are attracted to him We get to see naked women — something you can't see in action movies anymore.
The other actors give him solid support. The movie is worth watching for the delightful dialogue. Believe me — there is more tension in a scene when Shaft talks to Bumpy than in many car chases.
The movie is very dialogue heavy , yet it's a true pleasure to listen how characters talk with each other. Most of the dialogue is quite humorous.
You should prepare pen and paper to note. The action scenes are nicely photographed. There is a great title song by Isaac Hayes it won Oscar and during the movie you can hear few other nice songs.
It's one of those rare movies where the black guy is a hero. The situation now changed , but long time ago it was a breakthrough movie.
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Technical Specs. In January , [Note 1] John Shaft , a private detective, is informed that some gangsters are looking for him.
Police Lt. Vic Androzzi meets Shaft and unsuccessfully tries to get information from him on the two gangsters.
After Androzzi leaves, Shaft spots one of the men waiting for him in his office building. He forces the first gangster into his office where the second gangster is waiting.
During a short fight, Shaft dodges one of them who goes out the window, while the other surrenders and reveals to him that Bumpy Jonas, the leader of a Harlem-based organized crime family, wants Shaft brought uptown to Harlem for a meeting.
At the police station, Shaft lies to Lt. Androzzi and the detective assigned to the second gangster's death, by saying that the man was in an "accident".
He is allowed to return to the streets for 48 hours. Shaft arranges a meeting with Bumpy in his office.
It turns out Bumpy's daughter has been kidnapped, and Shaft is asked to ensure her safe return. After tracking down Ben Buford as Bumpy suggested, a shoot out ensues; Shaft is told by Androzzi after the shooting that Shaft himself, and not Ben, was the target, and that tensions brewing between the uptown hoods belonging to Bumpy Jonas and the downtown Mafiosi have culminated in a couple of murders.
But the perception is black against white to the general public, with the possibility of an escalation into full-blown race war.
He also shows Shaft some pictures of two of the Mafia men who just arrived in New York. Vic begs Shaft to explain what's going on, although Vic already knows Bumpy is looking for Shaft.
Shaft surmises that mobsters are watching his apartment from a local bar. Shaft pretends to be a bartender and calls the police to have the mobsters arrested.
Shaft later goes to the police station to set a meeting to find where Bumpy's daughter is being held captive.
Vic tells Shaft that the room that he was in at the station house was bugged and he is supposed to bring him in for questioning, but instead leaves.
Ben and Shaft go to the apartment where Marcy Jonas is being held to make sure she is alive. Once there, a gunfight ensues during which two Mafia hoods are killed and Shaft takes a bullet in the shoulder.
Shaft goes home and receives medical attention from a doctor working underground with him. Shaft tells Ben to round up his men and meet him at the hotel where Marcy has been taken, to prepare to get her back.
He also calls Bumpy to tell him his daughter is fine and he is going to need some taxicabs to meet him at the hotel for the getaway.
Shaft's plan resembles a military commando-style operation. Ben's men dress as hotel workers to avoid arousing suspicion.
Shaft and one of Ben's men go to the roof and prepare to enter the room where Marcy is being held captive. Shaft's plan is to cause a distraction with an explosive thrown through the window of Marcy's room while Ben and his men come down the hall and deal with the Mafia men as they leave their rooms.
The rescue plan is successful. Marcy is spirited out of the hotel into one of the waiting taxicabs. As the others get away in the remaining cabs, Shaft walks to a phone booth to call Vic.
Shaft informs Vic as a result of the rescue there will be a huge mess to fix between the uptown crew and the mob in the near future.
Vic says to close it for him, meaning he wants Shaft to fix the trouble. Shaft replies, "You're gonna have to close it yourself" then hangs up the phone and walks away laughing.
The screen detective genre in the late s had been dominated by the big movies, big stars. Industrial knowledge had it that what would be the first of the Clint Eastwood Dirty Harry productions was slated for a release.
Gordon Park's directorial debut of a major entertainment production was set on a course for an appreciation of comparisons. The instinctive cultural polymath knew where a coup of casting was his by necessity to play.
This film was created less to impact black consciousness and more to simply to show a "'fun film,' which people could attend on Saturday night and see a black guy winning.
After production, in an effort to entice a large black audience to see the film, MGM hired UniWorld , a black advertising firm, who "popularized Shaft by using the rhetoric of black power.
When asked at the Virginia Film Festival how it felt to be cast as Shaft, Richard Roundtree responded that he had been extremely excited about the part at the time.
He had previously been cast mostly in commercials, and this role, his first in a feature film, was a big break for him.
Melvin Van Peebles claimed that the success of his film Sweet Sweetback's Baadasssss Song caused Shaft to be changed from a "white movie" into a "black one".
Tidyman, who is white, was an editor at The New York Times prior to becoming a novelist. He sold the movie rights to Shaft by showing the galley proofs to the studio the novel had not yet been published.
Shaft played a crucial part in the development of African-American advancement in Hollywood. Robertson , and musical composer Isaac Hayes playing crucial roles.
On the other hand, white men controlled the other important aspects of Shaft' s production. Scenarist and writer Tidyman, writer Black, producer Freeman, and executive producers Silliphant and Lewis  were all white men who heavily influenced the making of Shaft.
In an analysis of Shaft , Stanly Corkin stated, "Further, the reception of the idea of blackness also becomes various, defined by any number of subject positions, and again, those cannot be fixed to any particular racially defined place of origin.
Since different representations of race appeal to different people, the film's white creators fabricated its representation of blackness in order to appeal to African American and white audiences alike.
MGM was struggling financially during the making of this film, so making a profitable film was a necessity.
Parks' decision to cast Roundtree rather than a white actor, for whom the role was written, instantly altered the presentation of race in the film.
One way that Shaft's blackness was showcased was through his attire. Shaft was "stylistically racialized: [He] wears clothes and affects manners that are associated with being black".
Although his smooth, classy look evoked a greater interest from viewers, it in no way represented fashion typical of the black community in that era.
Further, Shaft relies upon a group of militant black nationalists in helping him complete his mission to save Bumpy's daughter. The inclusion of a group so strongly identified with the Black Power movement was clearly an effort to appeal to black audience members.
However, the film presented the black nationalists as a group that failed to further the black cause, raised no awareness of the black struggle, and displayed them simply as a hired team of assailants to assist Shaft on his mission.
The filming of Shaft partly in the neighborhood of Harlem also allowed the black viewer to have a deeper connection to this film.
The writers portrayed Shaft as a man who clearly had a good relationship with this neighborhood, yet rejected it once he became wealthy, moving to the predominantly white area of Greenwich Village.
Traditional black thought in this era was that African Americans who had been prosperous financially should invest in and give back to the communities from which they came.
Instead, "the implication is that the wise black Shaft will want to sever ties with the people of Harlem and find a place among whites.
The result of this inauthentic portrayal of blackness in early s blaxploitation films like Shaft had an effect on black audiences viewing them.
Instead of the collective nature of the Civil Rights Movement and Black Power movement in the s, these films helped to usher in a decade of self-indulgence, material gain, and drug consumption.
Although Shaft was a depiction of blackness by white creators, the movie touched on several themes that reflected the ideals of the Black Power movement.
Some of the actions taken by Shaft highlighted the positive aspects of this movement, while others brought out some of its less progressive facets.
A noticeable quality of Roundtree's character was his commanding presence and the control that he displayed in almost every situation he faced throughout the film.
In the Black Power movement, leaders ardently fought to gain greater presence and control for their people, because even after desegregation , African Americans were still greatly excluded from the economic, political, and cultural systems engrained in white American society.
Shaft was depicted as a character that had achieved a high level of personal freedom, confidence, and control in his life, which was exciting for African American viewers.
At the beginning of the film, Shaft was approached by two police officers seeking information. As the officers were depending upon his information, Shaft dictated the conversation from a position of power.
Spatially, he also was much taller than the officers, further boosting his position of control. Shaft's economic independence was a crucial part of his persona.
Once bankrolled by Bumpy, Shaft was often seen giving money to others, which showed that he had substantial financial security.In Desperate Housewives dragons filme deutsch, Richard Roundtree appears as a private detective. But how seriously would ' Five Easy Pieces go here have been taken with a Black pianist as the weary protagonist? A simple bad guy with a gun racheengel end your life and you have to be very careful. Crazy Credits. Edit page. External Reviews.